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The society background usually is simple in ‘Hero Movie’ it doesn’t emphasis the contradiction between society and people. The scene in ‘A Better Tomorrow’ was happened in Hong Kong in 1986 it is all about a man keeps chasing personal loyalty, self-esteem, self-confidence and status. The brotherhood in ‘Hero Movie’ replaced the strangeness plot of gangster film. In ‘Hero Movie’, ‘Hero’ means the leader of triad instead of police.
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‘A Better Tomorrow’ and ‘As Tears Go By’Īfter five years in 1980, there was a new hot wave of ‘Hero Movie’, which started from John Woo’s ‘A Better Tomorrow’. ‘Days of Being Wild’ received the spirit of the new wave of Hong Kong cinema. In ‘Days of being wild’ is tended to show people’s daily life with uncompleted storyline and transformation. He also breaks the circulation and causal chain of Hong Kong cinema’s narrative structure. He ignored the narrative law of the plot, so he can not only having a wider freedom for the selection of the forms and materials, but also make the film became more artificial as you can see Wong Kar Wai’s elements in the movie. ‘Days of Being Wild’ is a very good example. Most of the movies will follow the timeline to tell the story, but Wong broke the rule at that time. Stephen Teo (2005, P.15) mentioned about the formula of Hong Kong movies ‘The nature of Hong Kong cinema concerns the way the industry follows commercial trends and makes films according to a formula’. Hong Kong cinema can be defined as ‘art with commercial’ or ‘commercial with art’.Īfter the development year by year, Hong Kong movie formulated a fixed narrative style for catering to the audiences. Therefore, when the directors are choosing the topic, they will mainly focus on the packaging of the movies. Most of the directors are not limited by the country, nationality, history and religion. Movie’s ornamental is the priority for the success of the commercial movies. Scriptwriter will pay more attention to the audiences about their preferences and aesthetic views. Hong Kong cinema is very concentrate at entertaining. Although the box office was disappointed, Wong won the Best Director in Hong Kong Film Award in 1991. ‘Day of Being Wild’ had spent forty million but the box office was only nine million. Alan Tang sponsored Wong once again in 1990 for ‘Days of Being Wild’. After that, Alan Tang sponsored Wong’s first movie – ‘As Tears Go By’, it is also the starting point of Wong’s director career. In 1987, Alan Tang Kwong-Wing (famous producer, actor and director in Hong Kong) found Wong’s Talent after he wrote the ‘Flaming Brothers’. He also worked in different kinds of genres such as comedy, cop thrillers etc.
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From what can be discerned in Days of Being Wild and In the Mood for Love, both films that could be described as roughly autobiographical, sense of nightclubs, gossiping housewives playing mahjong and living the life of a sailor drifting from one place to another, are the kinds of experiences of growing up that are etched in Wong’s creative subconscious.’ After the graduation in Hong Kong Polytechnic University, he started working in TVB, Hong Kong’s premier TV station as a production assistant and received the appreciation from Kam Kwok Leong who is a famous cross-media worker of director, actor and screenwriter in Hong Kong, Wong Kar-Wai accessed a large number of creative opportunities to contributed his ideas to a script. The interview by New York-based Bomb Magazine (Stephen Teo, WONG KAR-WAI P.50) described the creative subconscious of Wong ‘His father was an ex-sailor, who later worked as a nightclub manager, and his mother was a housewife. These five years in Shanghai had influenced Wong Kar Wai’s creativity in his films such as the scenes, lifestyle and so on. Wong Kar-Wai was born in Shanghai in 1958 and moved to Hong Kong when he was five years old. Order custom essay Popular East Asian Cinema